Tuesday, 19 October 2010

Planning Stage - Character Profiles

Character Profiles (Representation)

Female protagonist character –

This is the main character in our narrative that experiences a change in persona as the narrative progresses. She will be shown as a stereotypical female character who is portrayed as vulnerable at the beginning of the narrative, but as the plot develops she will become more dominant and reverse the roles of dominant ideology.

We will encode this female character within the text as a character who challenges dominant ideology in terms of gender, in order to make our audience active, as it is not a text that is a pastiche of a typical dance genre, music video. We will represent this female character and the characterisation of the character through semiotics and technical codes. She will be framed using high angle shots at the beginning, whilst wearing ordinary, non-glamorous clothing, representing her as a vulnerable, innocent character, whom the audience will pity and empathise in.

Our protagonist character is of a female gender, which is a sudden challenging within the dance genre, as many dance music videos involve a male character who possesses the chief role within the narrative; Kid Cudi for example, in a variety of his dance music videos. However, if a dance music video decides to place a female in the protagonist role they are usually constructed stereotypically as provocative, due to their costume and they way they are technically framed from scene to scene. As a group we have decided to initially challenge this type of dominant ideology that is usually constructed within the dance genre. Our female protagonist will be originally constructed as a vulnerable teenager, who shouldn’t really fit within the ‘powerful’ and provocative dance scene.

Her original costume will challenge the dominant ideology of the costumes usually found within the dance genre. She will dress in average, dull clothing, and will be framed as an unimportant character at the beginning of the narrative to highlight her lack of dominance. This is a conformation towards gender’s dominant ideology as she will be constructed as weak in comparison to the male characters in the opening of the narrative, who possess dominance over her. Also, our character is a white female; we believe this conforms to ethnic dominant ideology that is presentable in the dance genre, as almost all females seen in dance music videos are of a white ethnicity. In addition, our female protagonist will be represented as a late teenager, possibly eighteen or nineteen, which also conforms to the genre of dance, as the genre usually incorporates younger females dressed in provocative clothing in an attempt to sell itself to a wider male audience. We believe that integrating this ideology of youth, whilst challenging dominant ideology concerning gender, we will create a product that can attract a mass audience of a male and female gender. We expect that both genders of the audience receive the preferred meaning of the text, the hegemony of anti-bullying and how the female gender can overlook the male gender and break patriarchal society. On the other hand, we may expect some of our male audience to attain an oppositional reading of the text, as we assume they will not be used to the breaking of patriarchal society within the media; meaning they will decode the text in a different way in which the preferred reading is constructed. However, we have attempted to counter balance this in the way we have conformed to other technical codes found in the dance genre; setting, camera shots, editing and costume, for example.

However, as the narrative progresses, and the protagonist is characterised due to her success in her DJ occupation, this original conformation of dominant gender ideology is broken. The dominance shifts towards the female as she is framed as the DJ and therefore her confidence grows as a character. This challenges dominant representation of gender as the chief DJ's in the world are in most cases male. We hope to break the norms of patriarchy in our product, and thwart the dominant ideology of the male gender, and this scene is the start of that attempt. The camera shots we will use will alter as the narrative progresses. At the start of the video, she will be framed behind extra characters, and in medium long shots, with little emphasis on her facial features and her attire; however, as she succeeds in her occupation as a DJ, the camera shots become more intense, as we will use close up shots of her provocative costume (including red high heels which are stereotypically seen in the dance genre due to their connotations of passion and danger, which link highly to the type of music found contained by the genre) and her gestures, which we believe will conform to how gender is represented in the dance genre as well as reinforcing realism. The same idea will occur when concerning camera angles. She will be framed via high angle shots at the foundation of the text so it seems as though the audience is looking down upon her lowly stature. However, as she is characterised, these high angle shots become low angle shots, where we look up towards her new instated dominance. We hope to use artificial lighting to a maximum in order to create a realistic setting that conforms to the dance genre, so that our artist character looks as though she ‘belongs’ there. Finally, when mastering our product, an excessive amount of jump cuts will be used to create a product with editing that is a pastiche of others within the genre of dance.

At the End of our video the woman is shown as the dominant and powerful character therefore challenging dominant ideology of man being dominant over women. This also conforms to Levi Strauss' binary opposites of man versus woman. We also believe that we will challenge the dominant ideology of youth, as our protagonist is succeeding in a profession, and taking life seriously, unlike the stereotype of youth suggests. Challenging the stock characters involved in the dance genre will hopefully make the plot development and narrative more engaging, as the female audience may also be able to personally identify with the protagonist, which should expectantly make the audience active.

A feminist view of this character after she experiences a change could include Laura Mulvey’s theory that the female body is displayed for the male gaze in order to create voyeurism for a male audience. However, as this female character becomes dominant, this will also engage a female audience, as it is not conventional and challenges what the female gender see as societies gender norms.

Male character –

This is the main male character in our narrative. He is classed as a stereotypical ‘action/hero’ male character who is portrayed as dominant from the beginning of the text, but in a negative manner. His attempts to bully and undermine the female protagonist reinforce gender dominance, but as his actions are unethical his relationship with the audience will be a negative one. However, this ‘powerful’ male character will experience a downfall in dominance, as he will see the female character succeed in her occupation of DJing, which makes him turn away and leave the setting, with a facial expression suggesting defeat.

We will encode this male character in an attempt to conform to dominant ideology when speaking of gender. His rash thinking and actions throughout the narrative reinforce the male stereotype. He will dominate the frame when he is shown as the ‘bully’ but as gender dominance roles reverse he will be captured in low angle point of view shots that express his sudden lack of dominance in comparison to the female character.

This male character will stand in the crowd and will show clear signs of envy towards the female character. This character will wear black clothing to reinforce his dominance as a male character, and will be a stereotypical ‘cocky’ character. Youth will be represented for this male character as stereotypical, as he is shown as having lack of intelligence due to his bullying of the female character. But his targeting of the female character and his confrontational behaviour stereotypically allow him to gain friends of the same type, who laugh at his ‘achievements’ and destroy the confidence of the female character.

Thursday, 14 October 2010

Wednesday, 6 October 2010

Pyschographic Questionnaire Summary

Using the Values, Attitudes and Lifestyles audience theory, along with the LifeMatrix theory, we could identify who are target audience were in more detail.
  • We found that the majority are driven by money, suggesting our audience are fulfillers and strivers in life.
  • They all Show interest in designer clothes showing our audience could also be aspirers.
  • They don't do charity work, suggesting they are the opposite of Young and Rubicam's audience type: 'reformers', as they do not define themselves by their self-fulfillment.
  • Many of the results we got suggested that their usual hobbies are socialisation and sport, showing an aspect of the typical 'mainstreamer' within our audience.
  • They also feel they live fulfilling life to an extent; which also illustrates that they are fulfillers.
  • All feel they are successful to a certain extent; portraying that they are experiencers, who have experienced success through showing success in work and activities and can deal with different situations which allow them to be successful. They may also be classed as Believers, as they attempt to succeed in life personally.
  • They all strive to do well in life, which therefore suggests they are stivers in life, according to the Values, Attitudes and Lifestyle audience theory.
  • There is a general mass audience of mixed classes with the majority belonging to the working and middle classes.
  • Our audience occasionally watch the news but not on a regular basis, showing that our target audience are the opposite of actualisers, and do not take life too seriously.
  • Our audience are all classed as sociable; suggesting that they are experiencers and makers, according to the VAL audience theory.
  • All of our audience consume alcohol on a regular basis, illustrating that they fit well into the 'Fun/Antics' LifeMatrix audience theory types.
  • Provocative dress code was the leading chosen preferred dress code for a night out; showing that they are Makers, as well as fitting into the stereotypical view of dress code that the dance genre depicts.

Pyschographic Questionnaire

1. Do you think you are driven by money?
Yes___ No___

2. Are you interested in designer clothes?
Yes___ No___ Sometimes___

3. What do you do in your spare time?
____________________________________________________________

4. Do you do any charity work?
Yes___ No___

5. Would you say you live a fulfilling life?
Definitely__ Maybe__ No__

6. Would you class yourself as successful?
Yes__ No__ Maybe__

If yes Why?
_____________________________________________________________ _____________________________________________________________

7. Do you strive to do well in life?
Yes___ Sometimes___ No___

8. What class do you consider yourself to be?
Upper ___ Middle___ Working___ Lower___ Other___

9. Do you watch the news?
Yes___ No___ Sometimes___

10. Are you a social person?
Yes__ No__ Sometimes___

11. Do you consume alcohol on a regular basis?
Always___ Occasionally___ Sometimes___ Never___

12. What is your preferred dress code on a night out?
Casual___ Smart___ Provocative___ Comfort___ Other___ N/A___

Documentary

Demographic Questionnaire Summary

From this questionnaire we will be able to tell who our target demographic is and what attracts them to buying dance music.

  • We found that mainly females who are aged 16 to 24 tend to listen and buy dance music, possibly because they can easily relate to the music when they goout to nightclubs etc.

  • The target audience tend to listen to the dance music on the television on channels such as MTV dance but also listen to there music on there ipod which they have downloaded from the internet.

  • Many of the people surveyed said they find out and hear upcoming music via the television and the internet, showing this is the main way of distributing our dance music video.

  • The results showed that the audience expect to see the stock settings of nightclubs and bedrooms which relate to the genre of music and also the stock characters they expect to see are female dancers within the videos, possibly relating to the gender of the target audience.

  • Many results showed that the expected colours within a dance video would be a dark blue/black background within colourful red, yellow and orange spotlights to highlight the artists and dancers.
  • The target audience see a music video as just to entertain but if there was a narrative they would expect the narrative to be based around love and relationship problems, possibly with the use of Todorov's theory.

  • They expect to see a female artist associated with the dance genre, along with being able to relate themselves to the dominant characters within the music video.

  • The audience we are targeting feel that the album cover of a dance video is considerably important when buying an album and the album cover appeal to them in the way of attractive models, the gesture of the models and the layout of the album cover.

  • When asking the audience of the questionnaire which album covers they are most likely to purchase Clubland 15, Clubland 17 and David Guetta came out on top.

























  • There reasons for choosing these album covers were because of the layout and model used. The ideology that the success to selling dance albums is to have a provocative woman placed on the cover, however the David Guetta challenges this as it a was very popular choice with the target audience because of its uniqueness and differentially.

Demographic Questionnaire

1) What gender are you?
Male __ Female __

2) How old are you?
-18 __ 19-24 __ 25-31 __ 32-39 __ 40-49 __ 50+

3) How do you listen to your music?
Computer __ Radio __ MP3/Ipod __ Television __ CD __ Other:___________

4) How do you find out about upcoming music?
Television __ Posters/Flyers __ Internet __ Magazines __ Other: _________

5) What would you expect to see in a dance music video?
Dancers __ Nightclub __ Artists’/Band __ Children __ Other: __________

6) What stock settings would you expect to see within a dance music video?
Nightclub __ Bedroom __ Hotel Room __ Streets __ Playgrounds __ Other:________

7) What colours would you expect to see within a dance music video?
Black __ Blue __ Yellow __ Orange __ White __ Red __ Other:_______

8) Do you expect a music video to have a narrative or simply to entertain?
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________

9) Which of these narratives would most appeal to you for a dance video?
Love__ Relationship problems__ Family troubles__ No narrative__ Other__

10) Do you like being able to relate to the narrative portrayed by the dominant character?
Yes__ No__

11) What gender of artist do you most associate with the dance genre?
Male__ Female__

12) Would you expect a dance music video to be set at night or during the day?
Day__ Night__ No preference__

13) How important is the album cover when considering purchasing an album?
Very Important __ Considerably Important __ Not very important __ Not Important at all__

14) What most appeals to you on the album cover?
Bright colours__ Interesting Fonts__ Attractive Models__ Lighting__ Layout__ Gesture of Model__ Other___________

15) Which of these album covers are you most likely to purchase?
































16) Why is this?
Colours__ Font__ Model Used__ Layout__ Title of album__ Other__
If other please state_________________________

17) What gender of model would you prefer to see on a dance album?
Male___ Female___

18) Do you expect the album cover and advert to have a clear link?
Yes___ No___ No Preference___